When Your Audience

Doesn't Need You

By Jose Pagliery

FIU Student Journalist

She doesn’t have to read your newspaper. She doesn’t have to watch your television show. And now she can fast-forward past your misdirected Viagra and John Deere commercials.

So what do advertisers do when Jill Q. Public consumers have become individuals with the world at their selective fingertips? Adapt with them.

“Convergence is here. People were talking about this in 1995, but it’s here now. It almost snuck up on us,” said Andrew Latzman of Dynamic Logic. He advises companies to create advertising content relative to the articles being read.

The goal: stop one-way advertisement and start an open dialogue with consumers.

Janeen Wasoski, managing digital director of sales at The New York Times, believes adaptation requires newspapers to becomes what she calls “platform agnostic.” In charge of increasing the pipeline of online advertising, her goal is to bring people their news and pertinent advertisements no matter where they are.

By launching My Times, a Web site where readers can personalize the topics of news sent to them and import their email accounts, the newspaper now allows advertisers the ability to reach an atomized target audience.

But individually-oriented commercials may not be enough, because now Jill Q. is on the move.

She does her banking on her way to work and buys her movie tickets on her way to the theater. Her cell phone has become her everything-machine, and advertisers better pay attention.

Gina Wilcox, director of online development at the Palm Beach Post, calls mobile-access ads “the ghost of Christmas future.” My Times might be proof. Their mobile platform launched in last year’s fourth quarter grew exponentially by February, thanks to smart phone and Blackberry users.

And now Jill can shop wherever, whenever and however she wants – reading news stories every step of the way.

Online Editors Share Recipes
for Great Online Video

By Joel Marino
FIU Student Journalist

Most of the sessions during this year's E&P/Mediaweek Interactive Media Conference focused on one big issue: the growing use of videos to appeal to online readers.

Though all the speakers had varying opinions on how the videos should be used, such as the number of clips each site should contain, there was some consensus on what exactly made the perfect online video.

KEEP IT BRIEF!
This is the Golden Rule of video formatting. During the "Video Killed the Text Star" session, Christopher Kerr of nbbc.com suggested that the maximum time limit for web clips should be two minutes. This short time frame keeps readers interested in the subject and allows for more concise reporting. If it doesn't fit in that time limit, then you probably don't need it.

KEEP IT INTERESTING!
Just as readers may stop reading a print story that isn't creative or doesn't appeal to them, viewers won't respond to videos that don't grab their attention from the get-go.

"There are serious politics on YouTube which no one is using," said Lauren Vicary of MSNBC.com during the "First YouTube Election" session. "The videos only bubble up when they're humorous."

In other words: Footage of John Edwards giving a speech on the campaign trail = Internet dud.

Footage of John Edwards combing his hair for several hours = Internet gold.

John Edwards Feeling Pretty 02:01 John Edwards fixing his hair before an interview. With appropriate music. Tags: John Edwards Hair Style Added: 6 months ago in Category: People & Blogs From: RogerRmjet Views: 666,554 947 ratings

John Edwards at AFSCME Forum: Opening Statements 06:10 Presidential candidate John Edwards delivers opening remarks at the AFSCME Forum (video 1 of 2) Added: 3 months ago in Category: News & Politics From: NCDem Views: 3,683 29 ratings

KEEP THE STORY INTACT!
"We have a committment to telling great stories. We need to realize that videos can help us do that," said Patrick Stiegman of ESPN.com during "Storytelling of the Future."

As an example, Stiegman showed clips of a report chronicling the obstacles faced by an Alaskan town starting their first high school football team.

"This video was very popular because it told an amazing story of triumph," he said.

The video, which was conceived and executed by ESPN's web team, eventually aired on the ESPN network.

KEEP YOUR AUDIENCE IN MIND!
Though there is a market for stories about international affairs and national politics, more and more papers are relying on local angles to drive their news sections.

"We have to remember that the rest of the world lives in their backyards where dogs can swallow turtles and then gag them up," said Rusty Coats of TBO.com, referring to a story about a turtle-swallowing dog that became a number one hit for The Tampa Tribune's online edition.

[Times photo: Chris Zuppa]
Pepper the turtle on the mend after sometime friend Bella decided to find out what turtles taste like.

Coats also gave a list of local subjects that could make good online filler. The list included community events, interactive weather updates and research on historical landmarks.

And of course, one rule that may make a lot of corporate big-wigs smile...

KEEP IT CHEAP!
Michael Daecher seemed proud when he commented that his Web site, About.com, was one of the first to feature videos on the actual online page instead of on separate pop-up pages.

However, he didn't seem as proud when he recounted the odyssey the site had to take to perfect their video format.

"We made the mistake of creating sleek, high-quality videos when we first started," Daecher said during the "Video Killed the Text Star" conference. "It looked nice, but we couldn't afford it."

His team eventually began using cheap editing software and even started to allow user-submitted clips.

"The production may suffer, but we're getting videos you don't see anywhere else," Daecher said. "The reader doesn't care how sleek the video is as long as it gets a message across. If we focus on that, we'll be fine."

First You Tube Elections:
Online Political Coverage

By Jose de Wit FIU Student Journalist


The first YouTube election? Well, not so much.

Three panelists at this morning's breakout session evaluated the influence of YouTube and other video-sharing sites on political coverage. Their conclusion: It's important, it's affecting how we cover politics, true, but it's not about to replace or completely change political coverage as we know it.

Their appraisal of YouTube itself as a player in campaign politics varied.

Chris Cillizza, author of Washingtonpost.com's political column "The Fix," described how online video sharing is changing the dynamics of campaign politics, making them more fast-paced and aggressive. Video sharing allows candidates to seize on their opponents' mistakes immediately by capturing them on video and quickly disseminating them over the Internet.

He pointed to the campaign last fall that brought down former Sen. Conrad Burns, R-Montana. When a video appeared on YouTube of Burns dozing off during a hearing, "it created a narrative about Conrad Burns - that he's out of touch," said Cillizzo. Burns ended up losing the 2006 election to Jon Tester, a Democrat, by a 25-point margin.

Such video posting activity, Cillizzo said, can make covering political races more challenging for journalists.

"They're now treating every public occasion, often even private occasions, as a public appearance," he said. "Politicians are more guarded. It's harder to get a candid moment, the real deal, the genuine article. It's harder to see what these people are like in a genuine way."

Lauren Vicary, political editor for MSNBC.com, was cautious about YouTube's role in political coverage.

"People only look at politics on YouTube when it intersects with entertainment," she said.

Candidates put plenty of serious clips about policy on YouTube, Vicary said, but few people really watch them. She's tested this herself, asking researchers at MSNBC to find serious political clips on YouTube that got many hits. They found none.

YouTube aside, the Internet is allowing media providers to offer richer political coverage.

"The real challenge for the media is that there's so much video, so many words, so much commentary from bloggers. It can be overwhelming. Our job is to organize it for the readers," said Lee Horowitz of USA Today.

He listed just a few ways his company is using the Internet to cover politics. One is blogging. USA Today's On Politics blog is among the three most popular on the company's site, Horowitz said, ranking behind t wo direc tly rela ted to entertainment.

USA TODAY's political blog
The news, the people, the road to election day.

Horowitz also mentioned USA Today's partnership with the Web site and publication Politico, which allows his company to draw from a pool of resources that includes journalists from many mainstream publications. The partnership has allowed USA Today to deepen its political coverage and better organize it.

Cillizza said the Internet allows media companies to offer more specialized political coverage than they can offer on paper, and that specialized coverage draws a much more dedicated audience, which leads more to participation and interaction.

"Enough people are interested in campaign politics at a granular level that they'll build a community around it," he said.

While Cillizzo and Horowitz showed that the Internet provides new ways to cover politics, Vicary pointed out that online is not the be-all and end-all of political coverage, at least not yet.

"Since '96, people have been saying, 'This is the big watershed moment of the Internet and politics' - but it isn't," she said. "People are waiting for this big evolutionary leap, but it's really more like fish crawling out of the water."

She stresses that while it's important to keep up with advances in technology and take advantage of new kinds of coverage it allows, it's also important not to get further ahead technologically than one's core audience.

"We already suffer from the whole Beltway phenomenon, and we're covering politics, which makes us more insulated," she said.

The percentage of people who are politically savvy and tech geeks is very small, Vicary said. Getting too wrapped up in new technologies can shut a media provider off from all but a small section of its audience.

Proof of this, she said, is that politicians are still spending most of their money on traditional media campaigns, especially television. They're not investing too much time or energy in digital campaigns "because it's not successful, time-tested, proven. But the phone calls work, the community works."

Politicians who have used the Internet successfully in their campaigns have stuck to simple ideas accessible to most people. Hillary Clinton inviting supporters to upload and vote for her campaign theme song is a good example, Vicary said.

“I can explain it to you in under ten seconds,” she said.

A bad example is Mark Warner’s complicated campaign using avatars on Second Life, which Vicary said would take at least five minutes to explain. One was complicated, the other simple. Warner has dropped off the radar; Clinton is running strong.

Spanish Media Share

Innovative E-deas

By Jose Pagliery
FIU Student Journalist

As journalistic mediums evolve, the world may do well to pay more attention to innovative ideas from Spanish-speaking news companies.

In a one-hour presentation discussing the distribution of news, operational directors from four major Hispanic news organizations urged journalism to follow creative paths for gaining and holding readers and viewers.

Their specific advice: engage in unabashed experimentation with new forms of multimedia, including citizen journalism and sending breaking news through podcasts, cell phones and even faxes.

“We all had to adapt,” said José Iglesias Etxezarreta, editor for El Diario de Hoy’s Web site.

Adjusting, the publication increased the size of its online department and granted it more responsibility than what Etxezarreta called “simply cutting and pasting from print reporters.”

It doubled its staff. It gave them attention. And what did it get in return?

The site, owned by El Salvador’s leading newspaper, is now visited over 2 million times per day – a startling figure for a country with a population just shy of 7 million.

“We are the country, online,” said Etxezarreta, who ended up with a symbiotic relationship between two independent newsrooms.

Mario Tascón Ruiz, general content director of PrisaCom, argued that internet journalism must be given a different kind of attention if it is to reach its full potential.

“Is this a newspaper? No, it’s another medium,” Tascón said.

And it must be treated as such. Unlike daily print journalism, e-publications can now calculate reader traffic by the hour, providing advertising companies vital consumer information. Editors across the globe are also noticing the ease at which readers can now provide input for breaking news.

“Readers are no longer passive,” warned Guillermo Riera, digital media director at La Nación.

Advertencia de Bush sobre las tropas en Irak

Whereas newspapers simply provide readers news and features, the internet allows for a more interactive, public dialogue. By providing a regulated forum for public discussion, getting the news becomes a personalized, democratized process. And breaking news, many believe, will never be the same again.

Citizens in Spain now send yoperiodista.com (translates to “I reporter”) pictures, graphics, cartoons, and videos, many of which are almost simultaneously published online. All are part of the new age of digital storytelling.

Tascón sees the reporter of the future as a video camera-touting, microphone-wielding writer, hooked up to the internet at all times – a self-sufficient journeyman of multimedia. As an image of dinosaurs flashed across the screen, he described the changes in journalism as a fight for survival, ending in adaptation or extinction.

“Print is the news of yesterday. Online is the news of today,” Etxezarreta said.

Knight Challenge Grant Winners Reveal Creative Plans

By Jose de Wit

FIU Student Journalist

Some three dozen people won $12 million in Knight Foundation grants Wednesday in Miami, seed money they’ll use to develop innovations in digital media.

One of the strings attached to the awards is that the recipients must blog about their projects,detailing their progress, the obstacles they encounter and the tools they develop to overcome them. Through their blogs, everyone – other grant recipients, fellow conference attendees, members of the media industry and even the general

Foundation CEO Alberto Ibarguen

public – can offer comments, feedback and possible solutions.

“The user’s manual manual for each of these projects will be open source and free,” said Gary Kebbel of the Knight Foundation.

That means you – whether your company is a newspaper with a Web presence or a ‘Net-based startup – can take these ideas and put them to use on your site. You can take them as-is or modify them at your convenience.

So pay attention to what some of the winners will be using with their money:

MIT Media Lab Awarded $5 Million

Chris Csikszentmihalyi and Henry Jenkins, from MIT’s Media Lab and Comparative Media Studies department want to use their $5 million to influence young engineers to think about journalism-related issues such as freedom of speech when designing technology.

Adrian Holovaty, already a celebrity for having co-created the Django open-source web development framework, plans to spend his $1.1 million on making a series of city-specific sites that aggregate local information. The sites would offer news, local blogs and public records. He came up with the idea, he said, after finding it hard to follow mainstream media publications and networks to stay on top of local news in his Chicago. Holovaty previously created chicagocrime.org. The cities getting the new sites devoted to public records and hyper-local information will be Miami, Philadelphia, Detroit, San Jose, and Charlotte, NC.

Media Law Project to Encourage Citizen Journalists

Instead of using his $250,000 on creating new online content, David Ardia, director of the Citizen Media Law Project at the Harvard Law School, wants to help other citizen journalists. He plans on creating a library of online resources of citizen journalists that will include state and federal legal guides and a database of legal threats involving citizen media.

According to a Knight Foundation spokesman, the winners' blogs will most likely come online by August or September. Stay tuned to the Knight News Challenge’s Web site for more information.

The John S. and James L. Knight Foundation funded the contest with $25 million over five years to help journalism continue moving into a digital future. The initial winners -- chosen from among 1,650 applicants -- will receive $12 million, including several multi-year awards.

Other grants included:

$885,000 to VillageSoup in Maine to build free software to allow others to replicate the citizen journalism and community participation site VillageSoup.

$700,000 to MTV to establish a Knight Mobile Youth Journalist (Knight "MyJos") in each of the 50 states and the District of Columbia to report weekly -- on cell phones and other media -- during the 2008 presidential election.

$639,000 to Northwestern University's Medill School of Journalism for nine full journalism scholarships for students who have undergraduate degrees in computer science.

$552,000 to the Walter Cronkite School of Journalism and Mass Communication at Arizona State University for an "incubator" in which students will learn how to create and launch digital media products.

Also, nine individual bloggers will each get $15,000 to blog about topics ranging from GPS tracking devices to "out-of-the-box" community publishing solutions.

"We want to spur discovery of how digital platforms can be used to disseminate news and information on a timely basis within a defined geographic space, and thereby build and bind community," said Knight Foundation President and CEO Alberto Ibarguen in a statement. "That's what newspapers and local television stations used to do in the 20th century, and it's something that our communities still need today."

Csikszentmihalyi, MIT's director of the Computing Culture Research Group, added:
"We are moving to a Fifth Estate where everyone is able to pool their knowledge, share experience and expertise, and speak truth to power."

Applications for the next Knight News Challenge round can be submitted at www.newschallenge.org starting July 1, with the application deadline Oct. 15.The John S. and James L. Knight Foundation has given out more than $300 million since its 1950 founding.

E&P Staff contributed to this report

With User as King
Where Does that Leave
the Media????


By Maria Chercoles
FIU Student Journalist

With websites like Youtube.com allowing anyone with a camera and an internet connection to report news, even long-established networks like CNN are being affected by the shift in the media: the user is now in control.

So how are media sites responding to the trend? This was the subject of this year’s E&P Mediaweek Interactive Media Conference first discussion.

Guest speakers included David Payne, senior vice president and general manager of CNN.com; Ezra Cooperstein, director of development and production at Currenttv.com; Matt Melucci from Beliefnet.com and Al an Citron, general manager from TMZ.com.

According to Payne, CNN.com responded very quickly to the user-generated trend. Its website ireport.com allows users to post any video which can then make it to the network. Such was the case of the notorious Virginia Tech shooting video recorded from a cell phone, he explained.

CAN'T STOP THINKIN' ABOUT TOMORROW:
You Tube's NAME THAT TUNE posting of Hillary asking voters
to pick her campaign theme song

Currenttv.com, only a couple of years old, offers a revolutionary approach to newsgathering: people from across the globe produce and post news stories online. For example, the site showed a series of stories shot by a reporter from Afghanistan. Viewers rate each video, and based on this, the videos might make it to the network. According to Cooperstein, one third of the network content is user-generated.

Another example of the possibilities that user-generated media allows is TMZ.com, a website allowing users who spot celebrities on the street to post their videos online. According to Citron, although TMZ.com is localized in Los Angeles and New York, where most celebrities live, it receives comments from across the nation. It also allows fluent conversations between viewers who post their comments on each story.

According to Melucci, the sense of community is one of the advantages of Beliefnet.com. Users create a community and discuss different faith topics, no matter what their beliefs are, and directs users to tools and sources.

So if basically anyone can put a video on the Internet, how do these websites control their content?

All speakers agreed that some kind of “human eye” is needed to check videos for graphic or obscene content. According to Citron, TMZ.com does check for obscenities, but other than that, it is an user-generated network.

Payne gave an honest answer: we are going to discover how it works as it happens. But ideally, he said, the network should get out of the way and allow conversation to flow. Too much control would give the users the idea that they are not involved enough.

So if anyone can produce a news clip, where does professional journalism stand today?

According to Cooperstein, user-generated content provides an alternative to the short, sometimes superficial, newscasts found on news networks by allowing a personal perspective. It offers real people showing things that affect them. However, those with a journalism background have the advantage of the knowledge of the trade. They can produce in-depth stories and show a fair side to every issue they cover. At the end, he said, viewers will be able to recognize good and bad stories.

For Melucci user-generated content provides something else: the sense of community not found in traditional media channels. Users give their opinion and rate postings. This does not replace traditional news, but complement it.

So yes, according to the speakers, there is still hope for young journalism students. It’s a new way to report and deliver the news, and as journalist, are just going through an adjustment period. So the best advice would be to bring down the wall between print and broadcast journalism and start learning both.

As Melucci put it, those trying to attach too many ideas of what journalism used to be will miss what’s going on.

Gonzo journalism returns
in new media guise

By Cristela Guerra
FIU Student Journalist

These days it looks like anybody can call himself a journalist. Hunter S. would be proud. Camera phone in hand, citizen journalists capture real life as it happens.

But is it really journalism? Or just a new type of reality TV?

Newspapers and news organizations alike are pulling all the stops trying to keep up with the demand for “real stories,” by the readers for the readers — and at the same time keep themselves in business.

These "you are there stories" reach the newsroom by email, Blackberry, discussion boards and, of course, the ever-loved (or hated) blogs almost instantly. But this new frontier has a serious conflict: the clash between first-person narratives and the third-person perspective.

Sometimes, objectivity goes out the window.
According to Greg Mitchell, editor-in-chief of E&P magazine, this sea change has been a long time coming. Fueled by highly portable technological advances, the greater accessibility occurred at the same time that newspapers were trying to grow their Web sites.

“The technical things developed in the 1980’s led into the pre-internet," Mitchell said." At the same time, E&P was active and instrumental in promoting the Web to newspapers, he said.

“Over a span of two years we had panels addressing blogs at the conference and, if you chart the agenda, you could see the transition from 'what are blogs?' to Blogs are Cool and of course, now how can we use blogs for our means,” Mitchell said. “There is no longer any argument regarding the switch to online. The battle’s already been won.”

Not an accident that one of the first workshops the conference showcased Wednesday morning asked the question many in the field are wondering: “The User is King. So Where does that Leave the Media?” The panel included David Payne, senior vice president and general manager of CNN.com, Alan Citron, general manager of TMZ.com, Ezra Cooperstein, director of development and production of Current TV, and Matt Melucci of BeliefNet.com.

Each Web site, in its own way, has risen to the spotlight by highlighting and using their readers as a resource for breaking-news. Current TV calls their material “VC2” or Viewer Created Content, mixing reality TV and news by including a mix of material such as lifestyles, entertainment and raw spectacle.

Cooperstein, 26, said these Web sites are meeting the needs of a growing demographic of people, between 18 and 34 who are passionate for information and technologically savvy.

“Not a lot of people think young people know about information, but the truth is we live in a much more complex world than our parents,” Cooperstein said. “And people want to see young people in action; they want to see drama through the eyes of the people living the stories.”

One of Current TV’s vanguard journalists is Kaj Larsen, a 29-year-old from Santa Cruz, California. Larsen began his career while still in graduate school, sent a couple of test videos about homelessness in his hometown to the site.

He eventually joined the staff and was sent to Afghanistan to cover soldiers in battle. His 13-part series got the real war story from the mouths of those fighting it. It’s this twist of perspective that Larsen feels enhanced credibility.

“I think our generation is past this construct of objectivity,” he said.
“We have learned to process the information we’re given, and as viewers we glean and pull what we think from it."

Cooperstein agrees. “It speaks to what people now want in the news,” he said.

Perfect Mix of Film and Text
Could Lead to Better Media

By Joel Marino
FIU Journalist Student

Video may be trying to kill the text star, but it's not going to be an easy death.

Despite the rising demand for online film clips, the small panel of multimedia professionals that made up the E&P/Mediaweek Interactive Media Conference's second session--Video Killed the Text Star -- agreed that content, not visuals, will always dictate what makes the news and bring in the readers, and in turn, coveted ad revenue.

"You don't want to replace text with video; you want to make sure that videos enhance visual topics, that they help expand the value of what you're doing," said Michael Daecher, senior vice president of content and guide operations for About.com.

Daecher described his Web site as a place for "service journalism," where experts and volunteers answer questions on topics as diverse as automotive care, parenting and technology.

According to Daecher, videos have been a critical part of the 10-year-old Web site, showing users ways to solve problems (such as how to jump start a car) in a visually appealing manner.

However, the videos that run on the Web site must always complement the text and vice versa.

"Looking at videos separate from content is not the way to go," Daecher said.

The site currently contains 650 videos. Daecher hopes they will have 1,500 videos by 2008.

Mark Walters, associate publisher for Newsweek.com, also said that his Web site has increasingly relied on this combination of video and text. Video studios have recently been built in New York and Washington, D.C., for this express purpose, he said.

Walters mentioned a five-minute video covering the death of Pope John Paul II that ran online a few years ago.

"There was a lot of emotion in that short video, a lot of which probably couldn't have been caught in text," he said. "There are plenty of emotions on video that's hard to capture anywhere else."

But there is one aspect of online clips that made Walters a little nervous: the surge of viewer submitted video, known as citizen journalism.

"Do you think this could be the future of online news?" asked fellow panelist Christopher Kerr of nbbc.com.

"I don't know about that," Walters said, with a laugh after a slight pause. "I feel like it's going in that direction, but we still need to be on the watch."

Walters said that such videos must be taken only under a controlled environment, and they must be screened to make sure the best video is selected for the best story.

"We're a long way from a user-generated news world," Daecher said.

Daecher acknowledged that this trend's popularity may be rooted in the need for news corporations to save money, "but there still has to be a way to have talented reporters who get the story without breaking the bank."

All panelists rejected the idea of charging readers for video access in order to get that revenue.

"Ad support is the only way to go," Walters said.

About.com currently places ads around its pages but is careful to avoid "advertorials," or product placements and company-sponsored videos that may be confused as original content.

"You have to tell readers what they're seeing," Daecher said. "We can't let the line between ads and content can't get blurry."

According to Walters, advertisers and readers will only flock to a Web site that knows what it's doing.

"You can't put a video on a site just because you've got the video," Walters said. "Readers aren't going to check it out just because there's a video. There's got to be a story there as well. If done right, video's going to be a tremendous complement to traditional media."

FLIP.COM:
New CondeNet site targets
lucrative teen girl market
By Jose de Wit
FIU Student Journalist

Sarah Chubb kicked off this year's Editor&Publisher/Mediaweek Interactive Media Conference with a keynote address. She talked about the "same set of issues" that all media organizations are dealing with today - namely, how quickly technology, consumer tastes and the media landscape are changing - and how her company, CondeNet, is tackling those issues.

Media outlets on the web face two major challenges, Chubb said. First, they must figure out what people want on the 'net to stand out in an increasingly crowded and fragmented media landscape. Second, and just as difficult, they need to make online advertising relevant to consumers, and please the advertisers.

Chubb has been doing this since she helped launch the company's first Web site, Epicurious.com, in September, 1995. The site contains content for Conde Nast's two food magazines, Gourmet and Bon Appetit. The first step, before launching the site, she said, was to answer one question: "If you love food and cooking, what would you want a computer and the connectivity of the internet to do for you?"

From its inception, Epicurious.com has been at the head of the pack, encouraging community-created content--it's been using Web 2.0 since 1996, before the term had even been invented. "The community was sharing recipes, holding cooking contests, with little help from us, even though the technology was clunky," Chubb said.

Today, CondeNet uses the same approach - figuring out what the consumer will want on the Internet ahead of time - and creating new sites.

Chubb presented CondeNet's new website, Flip.com, which does both of these, all while targeting one of the most challenging demographics: teenage girls.

Flip.com is a social networking site, but unlike MySpace and Facebook, it doesn't focus on profiles. Instead, it lets users make digital scrapbooks, or "flipbooks."

Using new technology by Adobe, users can drag and drop images, music, wallpaper and other content onto the pages of their flipbooks. Each user can make multiple flipbooks - about events, trips, hobbies, anything - and share them with friends.

To please advertisers, Flip.com integrates advertising into the flipbooks themselves. Girls are encouraged to "clip" images from online ads and paste them onto, say, a flipbook about fashion. Also, users are allowed to pick from among a pool of advertisers to decide which company's ads will appear on their flipbook.

Advance Info on the Conference

The Cutting Edge
comes to the Cutting Edge
FIU'S TOP JOURNALISM STUDENTS
INITIATE LIVE BLOG COVERAGE
of E&P/Mediaweek Interactive Conference
MAY 23-24 IN DOWNTOWN MIAMI

Innovation, animation, imagination: One of the nation's longest-running new media conferences comes to Miami Wednesday and Thursday, May 23 and 24. It's the Interactive Media Conference and Trade Show, presented by E&P and sister publication Mediaweek, at the Radisson Miami.

Some of the nation's leading executives, editors and publishers from the top media Web sites will attend, and the first winners of the Knight News Challenge will be announced on Thursday. The Knight initiative offers $5 million this year for news experiments that use digital media to foster community.

"The First YouTube Election" will be among the special presentations at the conference covered by top journalism students from Florida International University's award-winning School of Journalism and Mass Communication.

"We're really looking forward to the experience," said Joel Marino, editor of FIU's student newspaper, The Beacon. "The agenda promises some exciting new developments in new media, and it will be a great experience for us as journalism students to cover these events and meet some of the leading innovators in new media in the nation."

The students' breaking news blog coverage will be posted throughout the conference and will also be available through Editor & Publisher's Website.

Keynote speakers include Sarah Chubb, president of CondeNet, on Wednesday, and Mark Lukasiewicz, VP/digital media at NBC News, Thursday morning. Caroline H. Little, CEO and publisher of Washingtonpost.Newsweek Interactive, will speak at the EPpy luncheon on May 24.

Panels will cover topics including user-generated content, advances in video, old and new-media integration, and the latest on blogging. The 12th annual EPpy awards also will be announced and presented at a closing luncheon.

Editor & Publisher lists confirmed conference panelists including David Payne, senior VP and general manager of CNN.com; Chuck Cordray, VP and general manager for digital media at Hearst magazines; Gail Griffin, general manager of The Wall Street Journal Online; Dwight Silverman, interactive editor at the Houston Chronicle; Josh Quittner, editor of Business 2.0; Chris Cillizza, political blogger at washingtonpost.com; and Leon Levitt, VP/digital media for Cox Newspapers.

Others include Alan Citron, general manager of TMZ.com; Michael Daecher, senior vp of About.com; Raul Lopez, interactive general manager at the Miami Herald; Betsy Morgan, senior vp of CBS Interactive; Kathy Rebello, executive editor of BusinessWeek.com, and Andrea Lynn, multimedia director of the Naples Daily News.

For more information, or to register for the conference, please visit www.editorandpublisher.com

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E&P Staff contributed to this report.